![]() Palaces is his most confident, mature and uncompromising work to date, a true testament to nurturing the relationships that make us whole and bring us peace. He joined forces with his neighbour and frequent collaborator Jonathan Zawada, exploring the local wildlife, in particular the birds, collecting field recordings that ultimately worked their way into the album.Īs Flume continued to forge a strong connection to his surroundings, the album he wanted to make started to form, eventually adopting a title to properly highlight the luxury and magic of the natural world. Settling in a coastal town in the Northern Rivers region of New South Wales, Flume quickly found the inspiration he needed through reconnecting with the nature around him - the rolling hills, walking around barefoot, the green colour the sky turns before a big storm, growing and eating his own vegetables, the smell of rain. Palaces began to take shape when Flume returned to his native Australia after struggling to write music in Los Angeles at the beginning of the pandemic. I’m so excited for everyone to hear the song!" His creative process is a really inspiring thing to be a part of. “I'm such a big fan of Harley’s so it’s unbelievable to be in a position to create music with someone I look up to and can learn so much from. "Working with Flume on ‘Say Nothing’ has been a really incredible experience,” MAY-A says. I was really excited about the initial idea but it was only once I got back to Australia in early 2021 and linked up in the studio with MAY-A that the song really came to life." “We wrote the song midway through 2020 while the pandemic was still pretty new. "This song is about feelings of post-relationship clarity,” says Flume. From this new personal phase, Flume’s latest techno-charged offering upscales the drops, fidgety distortion and replay value that has proved a constant in his playbook.Award-winning Aussie act Flume has dropped the lead single and accompanying vibrant video from his forthcoming third studio album Palaces, titled 'Say Nothing' featuring MAY-A. This dynamic carries the reunion with Kučka on ‘Escape’ as well as the meditative Damon Albarn-featuring title track, which taps into the ecological origins of the record via its birdsong incidentals. MAY-A collaboration ‘Say Nothing’ champions the album’s radio-friendly chops, while the hypnagogic ‘Sirens’ sees Caroline Polachek’s trademark vocals join climaxing electronica – partnerships that capture the imagination and innovation at the heart of Flume’s output. Opener ‘Highest Building’ sticks to this two-tone chemistry in skewing synth stabs with Oklou’s elastic refrains, ‘Get U’ closely rivalling in its alien-like pull. Twinning synth trickery with chart appeal has been a mainstay of Harley Streten’s craft, and his third album continues to blur the line between off-kilter and accessible in its parallel-dimensioned pop. With the idyllic backdrop of his Northern Rivers base as an impetus, the Aussie electronic wunderkind eschews the glitched-out route of his earlier releases, instead rebooting the kind of instant earworms that powered predecessor ‘Skin’. Inspired by his relocation to rural New South Wales following a decade in LA, ‘Palaces’ represents a homecoming for Flume.
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